Connect with us

Interviews

KryptonSite’s First Interview With Smallville Executive Producer Alfred Gough

Interview with Smallville’s Al Gough conducted six months before the show even premiered.

Published

on

This was the first interview conducted by KryptonSite with Smallville executive producer Alfred Gough, back before many people had even heard of the series. In many ways it got the “first word” out about the show.

As many of you who have been reading this website already know, Smallville is an upcoming TV series that will tell the tale of a Clark Kent in his adolescence; as his powers are developing, before he was “The Man of Steel.” The show is set to star Tom Welling as the young Clark Kent, with Kristin Kreuk (Edgemont) as 16-year-old Lana Lang. Also in the show will be such actors as John Schneider, Michael Rosenbaum, and John Glover.

Smallville was a concept developed by the writing team of Alfred Gough and Miles Millar. Gough and Millar have worked on several projects together, including the TV series Martial Law and Timecop, and the movie “Shanghai Noon.”

Mr. Gough was kind enough to share some of his time and answer some questions about the upcoming series, and what fans should expect to see in this series about a very interesting Kansas town.

Special thanks goes out to Dana, for being all-around awesome and helping make this interview happen; to the folks who helped come up with good ideas for interview questions (Hi, Donna and Russ!); to Brian Selzer for the initial editing of this interview; and to Al Gough and Miles Millar for the time and for giving this interview the final look-through. This is an excellent team with a great amount of enthusiasm for this series.

PLANET KRYPTON EDITOR CRAIG BYRNE: Tell us about who you are, and what your duties will be for Smallville.

SMALLVILLE EXECUTIVE PRODUCER AL GOUGH: I’m Al Gough, and I’m one of the creators and executive producers of Smallville along with my partner, Miles Millar. Miles and I are a writing team, and on Smallville we are the “showrunners,” which means we will be responsible for all of the scripts, hiring the writing staff, overseeing the look and tone of the show, and the day-to-day operations. Basically, the buck stops with us.

CB: When you took on this project, were there things that you were instructed to keep away from?

AG:Not really, we got a call from Peter Roth, who is the president of Warner Bros. TV, and he said he wanted to do a show about young Clark Kent. We were intrigued, but also had reservations. We weren’t interesting in doing Superboy, we wanted to do something that was cool and character driven. Unlike, say, Batman, Superman has always been the goody two shoes of super-heroes. We wanted our Clark Kent to have angst and edge, without losing the essence of who he grows up to be. That’s why in the series Clark doesn’t wear the suit, doesn’t wear glasses and can’t fly.

We also altered the mythology. When Clark crashes to Earth in the ship he’s accompanied by a meteor shower of Kryptonite. In the pilot you see the meteor shower raining down on Smallville and Clark’s arrival as a three-year-old. Then we cut to 12 years later and discover that the Kryptonite is in the soil and is causing all these strange things to happen.

CB:
Kryptonite is also showing up in peoples’ necklaces too, right?

AG: Yeah, Lana Lang has a piece of Kryptonite in her necklace. It is actually made from a piece of the meteor that killed her parents. The thing with Smallville is that it appears normal and picturesque on the surface, but because of the kryptonite it’s really “Twin Peaks”-like underneath.

CB: Is this anything like the “Hellmouth” underneath Sunnydale in Buffy the Vampire Slayer?

AG: It’s along those lines, but it’s not as specific because that’s really only about demons and things like that. Our stories are more bizarre and offbeat, more X-Files than Buffy. We are also very much a relationship show. For example, we’ve got a whole new take on Lex Luthor. He’s in his early 20’s and he’s been sent to Smallville to run a division of his father’s company. In the pilot you see him befriend Clark. It’s an intriguing relationship to play with because everyone knows where the story ends, but you’ve never really seen how it started out. I think it will be fun to watch.

CB:
So you’re approaching Superman quite differently from the way Lois & Clark handled the material?

AG:While Lois & Clark has a lot of fans and was a very popular show, we wanted to re-interpret Superman for today and make him more relatable. We’ve humanized him in a way you haven’t seen before. We really wanted to get inside Clark’s head and show that he’s just as vulnerable as any ordinary teenager. This is a kid who’s not only going through puberty but is also struggling with his emerging superpowers.

CB: So everything’s going to develop as the series develops?

AG: Definitely. We liked the idea of his strength growing incrementally since he was a kid. For example, when he was 4 he could lift a coffee table but not a pick-up truck. I think that borrows a little from the John Byrne revamp. The difference is in those comics Clark seemed very well-adjusted and he played football and he hid it, and nothing was a big deal. We’re actually playing that “Guess what? Getting these powers is a huge deal!”

CB: Tell us a little bit about Tom Welling and Kristin Kreuk. What was the magic about them that got them the roles?

AG: We cast Kristin first. It’s one of those things, when you’re sitting in a room, hearing a million people read a scene and then someone comes in and nails it. She’s from Vancouver, Canada and is a total natural. When we saw her audition tape we just knew, “this is Lana”. She has a wondeTom Wellingrful, delicate beauty. When you look into her eyes you immediately understand why Clark Kent pines for her.

It took us longer to find Tom Welling, who plays Clark. The challenge was how do you find Superman before he was Superman. It’s like looking for Harry Potter or Anakin Skywalker.

We really wanted a fresh face, someone who wouldn’t be identified with any other role. We had casting directors all over the country looking, and we saw 100s of actors in person and on videotape, but nobody popped for us. Then Tom came in. He’s just one of these guys who has star quality. Not only did he have the right look, but he also had that right sort of spirit — you could see him becoming Superman. There’s a gentleness, but also real strength. We had him read with Kristin at the network – wow – talk about chemistry. We couldn’t be happier. The rest of the cast is quite extraordinary as well. Sam Jones who plays Pete Ross is a real find. Together with Allison Mack, who plays Chloe, they light up the screen. As for Michael Rosebaum – he is Lex Luthor – charming, funny, charismatic. I think this will be a break-out role for him.

CB: Are there any actors that you’d specifically like to see guest starring on the show?

AG: We’d love to write a role for Christopher Reeve, which I think would just be really cool. Another thing is to find people like the Jimmy Olsen [Marc McClure] from the movie. It’s fun to do that. I remember when I saw the Superman movie; the Lois Lane from the old George Reeves series [Noel Neill] was Lois Lane’s mother on the train. We’re always looking for interesting casting ideas. There are a lot of [famous] Superman fans out there, so hopefully, if they watch the pilot and like what they’re seeing, they might be willing to be a part of the show.

CB: You might not want to go there, but how about John Shea as Lex Luthor’s father from Metropolis?

AG:I think we are going to respectfully steer clear of Lois & Clark. We really want to distinguish the show. That said, John Shea is a very good actor.

CB: Regarding the other members of the cast [not yet finalized], are there any names we’ve seen other places?

AG: Yeah there are. John Schneider, who plays Jonathan Kent. He’s fantastic and really helps ground the show.

CB: Will we see Lois Lane in the series?

AG: Yes you will, I can’t really say how, but with DC Comics’ blessing, she will definitely feature somewhere down the road. She could potentially visit Smallville or our gang could meet up with her in Metropolis.

CB: Will filming remain in British Columbia?

AG: We’re shooting the pilot there, we’re not sure about the series. It could be Los Angeles, it could be up here.

CB: What was the appeal that brought you to the “Smallville” project in the first place?

AG:Superman is one of those characters who has made an indelible impression on popular culture. You see the “S” everywhere, Bon Jovi has it tattooed on his arm for God’s sake. The really great super-heroes, like Batman and Superman, have lasted so long because they can be reinterpreted for each generation. There was the radio show in the 40s, the George Reeves show in the 50s, the Christopher Reeve movies in the 70s & 80s and Lois & Clark in the 90s. We liked the idea of introducing Superman to a new generation. Because he doesn’t wear the suit in “Smallville” it’s going to allow us to explore the human side of Superman. That’s what really attracted us. If there was ever a way to exemplify what it’s like to be a young person trying to find his way in the world, Clark Kent is your guy The fact that nobody’s really explored that aspect of the character is what really attracted us. We also liked the fact that Smallville hadn’t been mined.

CB: That was one of the most popular parts of the movie.

AG:
It’s terrific, it’s a wonderful part, I think it was so memorable because when Jonathan (Glen Ford) dies you really feel for Clark, you’re totally invested in him as a person rather than a superhero. That’s what we hope to get across in the series. What’s interesting about focusing on this part of Clark’s life, is watching him go through the trials that will ultimately lead to him becoming the man of steel. If he had crash landed in a different town and had been picked up by different parents, he’d be a completely different guy.

CB: How old will Jonathan and Martha Kent be this time around?

AG: In their forties. We didn’t want to be like Buffy or Roswell where the kids have all the secrets and the parents are sort of out of it. We want “Smallville” to be multigenerational. So you’ve got Clark and friends, and you’ve got Lex who’s a little older, and you’ve got the parents.

CB: There will also be new characters such as Lana’s aunt Nell, correct?

AG:Lana’s aunt is Nell, and she’s friendly with the Luthors, and she and Jonathan used to date in high school and she sort of has feelings for him. Basically it’s creating levels of relationships. This is not a “slamming lockers” show. The parents will play a significant role, obviously because Jonathan and Martha are the only ones who know Clark’s secret.

CB: Is there any possibility of Pete Ross figuring it out?

AG: Potentially down the line, I think anything’s possible.

CB: Will there be an attempt to keep from becoming campy like Lois & Clark did toward the end?

AG:Yes. The minute we become campy like that we are dead.

CB: What kind of villains will Clark face?

AG: They certainly won’t be larger than life villains. We want to keep the show grounded in reality. Like all rural towns, Smallville is going through change; LuthorCorp’s come in, housing developments are eating up the farmland. There are people like the Kents who are trying to hold onto their traditional way of life, and then you have Lex who really sees Smallville as a new beginning and really wants to bring it into the 21st century, so you have those stories as well as the weird things that are happening.

CB: So what about [a seriously played] Brainiac or something like that?

AG:I would say certainly not for the first few seasons. I think you have to earn your audience, and you don’t want to start there.

CB:
What kind of costume will Clark wear before there is a costume?

AG: He just wears regular clothes, he isn’t in disguise, he just has to keep his powers secret. He won’t be wearing glasses. I always thought the glasses and that sort of persona that he plays in Metropolis is to disguise the fact that he is Superman in the costume. Here he’s a kid dealing with these sort of extraordinary powers and trying to get through high school. Part of it is keeping these things secret. It’s more along the lines of the movie where he didn’t have the costume until he went to Metropolis. Basically, we’re not doing “Superboy.”

CB: Say ratings went down and the WB demanded changes, would the costume show up sooner?

AG: <laughs> The plan is not to put him in the costume.

CB: Will the show definitely be on the fall schedule? Could it be bumped into midseason, for example?

AG:It has an episodic commitment from the WB, which means yes, but a lot of things can happen. The only thing that could potentially affect Smallville, and the entire season, are the writers’ and actors’ strikes, which could definitely throw a wrench into when the show would air.

CB: Could this series be a possible lead-in to a new movie franchise?

AG: That would be great.

CB: There was a very well received Bruce Wayne pilot script floating around a few years ago. If Smallville is a success is there any chance Bruce Wayne could appear and spin off?

AG: That’s for DC and Warner Bros to decide.

CB: And for the final question… Will we believe a boy can fly?

AG:
<laughs> At some point, yes. But one must be careful to walk, and then leap, before they can fly.

Return to the KryptonSite home page

This interview is copyright 2001 Craig Byrne. Please do not reprint this interview without permission. Those interested in referencing or linking to the interview are welcome to do so by acknowledging the source.

Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Interviews

Superman & Lois: Full Interview with Inde Navarrette (Sarah)

Full interview with Inde Navarrette who plays Sarah Cortez on Superman & Lois

Published

on

Last week, we ran some preview questions for “Collision Course” with actress Inde Navarrette who plays Sarah Cortez. As a new episode airs tonight (June 6), it felt right to share our full interview with Inde. We’re starting with relationship talk since that’s where the previous piece seemed to leave off. Be aware some minor spoilers may be discussed within.

KRYPTONSITE’S CRAIG BYRNE: Sarah’s preference for herself with Jordan would be for them to just be good friends, right? 

INDE NAVARRETTE: For me as a viewer, I would love to see that friendship. You know what I mean? It’s definitely something that was there in the beginning, and then they went straight into a relationship. I think it’s important to see them as friends and good friends and being there for each other.

Was it fun to film that scene at the party in Metropolis earlier that the season where the two of them were working together as friends? 

Absolutely. Are you kidding me? Throwing a beer and saying ‘here’s your beer, bitch,’ and then going back and forth… that was one of the best days to film. Me and Alex had the time of our lives. I’m definitely wanting to do that again.

Am I imagining things and seeing some chemistry between Jonathan and Sarah? 

You shut your mouth! You be quiet! What are you saying that for? What’s wrong with you? Sarah would never do that!

Yeah, it’s funny… me and Michael have definitely picked up on that. And we’re like, what is this? What is this? It’s definitely a question. I don’t know where it’s gonna go, but it’s definitely a question.

I love this Sarah and Jonathan combination. In Seasons 1 and 2, Jonathan and Sarah definitely had a relationship that was so chemistry-filled, I think, and it’s so specific to the characters. Michael [Bishop] did such a good job coming in, and picking up on that, and doing it in his own way. And it seems so beautiful, to where it still is there. You know what I mean? It’s something that’s been there since day one that we still carry. I think it’s definitely something, for sure. As Inde, I’m  screaming at them like “don’t do the brothers trope!” But then me as somebody who reads books, I’m like “maybe do the brother trope.”

Do you as a cast have theories on where Sophie disappears to when she’s not in an episode?

That is the biggest joke on set! We’re like “she’s in Guatemala!” We have this joke where she’s the villain and she’s secretly the mastermind behind everything, because she’s so angry at her family. We’ll joke around about the fact that it’s actually Bizarro Sophie. We don’t ever stop talking about it. And the fact that they even wrote it into the script… when we got that script [where Sophie was missing], I thought I was gonna die laughing, because it was a joke that we made on set, and the fact that it’s actually in the script…. you can only see so many comments before you go “yeah, we should definitely address that. Where is she?”

Didn’t you do an interview at one point where you just went “Who’s Sophie?” or did I imagine that? 

Yeah, that definitely happened. We talked about siblings, [and I was] like “I have a sister?”

Is there anything about Sarah that you wish the show had handled differently?

I think Season 1 a very big tell of who Sarah is. In Season 1, she’s extremely reserved, and really wanting to understand where everyone’s coming from. She’s still an angry child because of everything that she’s going through with her family and friends and everything, so there’s this understanding and connection between her and Jordan, because they have that understanding of feeling lost in a family and not knowing what to do, or having mental health issues. I think over the years, she’s kind of projected onto Jordan instead of taking care of her own things. I definitely love her arc this season, because she’s coming back to herself in the manner of who she was before, rather than solely focusing on on Jordan. I would say that we’re definitely getting there, for sure.

My personal head-canon is that Sarah is the coolest teenager in all of Smallville… so how did she not know who The Cure are?

I brought that up so many times! That is not a me question. That is a writer question. Call them, because I don’t know. Also, whenever they were talking about Alanis Morissette…. Are you kidding me? She doesn’t know who that is? Anyway…

Is there a particular storyline that you would like to see in the future for Sarah?

I would love to see her with the boys and Nat, and helping out…. maybe be the getaway driver.

She’s done a lot with her family. She’s done a lot with her parents. I would love to see her with the kids more, not being the emotional teenager or a kid.

There’s a scene, I think it’s in episode five, when they go to get Jon’s truck back… I remember watching the stunts and I remember watching it being performed and I just sat there like, “I so badly wish that Sarah was a part of this, because I think that she would be able to heighten that.” I think maybe that’s why her and Jonathan have such chemistry, because they’re the two in their families where they know that they’re capable of doing everything that they can, but the people around them kind of have a one up. Nat has her suit, and Jordan has his powers, but me and Jonathan can throw a punch. We can throw beer in people’s faces and can take care of something. I can be the getaway driver!

Do you think anybody’s going to let her be the getaway driver after last week’s episode, though?

That’s a good question. I would say her driving was phenomenal. It just was extracurricular activities that caused issues!

Earlier this season, you had a very charged scene with Emmanuelle [Chriqui] as Lana… you know which one I’m talking about. Was that hard to prepare for, working with somebody who’s your friend and getting in her face, and then her character slaps you?

That day was definitely something. Emmanuelle and I have such a good relationship. I just remember that time being so at peace with myself, and then we have to go film this scene. There’s a moment where I, as Inde, a 22 year old actress, have to really remove myself from Sarah because the things that Sarah says, as a teenager… my heart breaks. I hate those words, I hate them coming out of my mouth, and I hate saying them to Emmanuelle. That is, I would say, the most difficult part about being Sarah, saying those things. I, as an actor, have to make it to where I understand why she’s saying those things, so I could play it honestly, and during that day where I say stuff like “that’s why Dad cheated on you” I think the only way that could be is because she’s frustrated with everything that’s going on, and she’s trying to say everything that comes out. It doesn’t mean she’s saying it with anger, but sometimes you’ll say things when you genuinely don’t mean it, you’re just saying it, but it causes a reaction in the other person.

So to play it that way, and then to have Emmanuelle’s reaction, it was really tough. I let her actually slap me five or six times. Greg, the director was like, “okay, we’re not gonna do it on this one… we’re gonna do on this one…” There’s one time where Emmanuelle did it, and I was like “you’ve got to slap me harder. I love you, but you’ve got to slap me harder.” Then another time she fully clapped my ear, and as I was walking away, I was like, “I hear a symphony. There are bells ringing in my brain!” I didn’t say anything, because they would have been like “you’re done” and I was like, “no, we’ve got to get this.” Watch now me talking about it, they’re going to be like “you don’t do your own stuff anymore.”

We will see more friendship between Sarah and Nat?

I think so.

How good do you feel about the possibility of still getting a fourth season?

We’re really looking forward to it. We haven’t heard anything back. If I get to work with them again, I’m happy. We all keep in touch, and it was such a beautiful set to be on. So hopefully, hopefully, hopefully. If not, I had a phenomenal time.

How excited were you when you heard the show was going to be getting Michael Cudlitz as Lex Luthor?

It’s been a lifelong joke between me and Todd Helbing, the showrunner, about shaving my head. I’ll joke like “Sarah’s gonna shave her head in this episode!”

It’s a lifelong dream of mine to shave my head, and not only to do that, but to do it for something that I love, like my job. So I get on set, and I [met him], and I said, “what did you do today?” And he was like, “Well, you know, we did the scene where we shaved his head.” And… I couldn’t stop it from coming out of my mouth… I was like, “you m$#%$^$&#$%@$.” It was the first time I ever met him, so I think we got off to a really good start of getting to really know each other. It was amazing.

Do you think she could be his bald minion?

I hope so! Sarah needs to just be taken under his wing, and fully become his protege.

Regardless of if there’s a fourth season or not, are there certain friendships and relationships that you will take with you?

Everybody. This entire set… it’s one of those things where it’s so specific. We went through something like COVID together. We became a family. We got to know each other, snd it’s such a beautiful thing to be able to experience. I’m really close with Erik who plays my dad, and I’m close with his family. I’m really close to Emmanuelle and Wolé and Sofia and Tayler and Michael and Alex… it was such a beautiful experience, and I’ll hold it very near and dear to my heart.

Superman & Lois has a new episode titled “Complications” airing TONIGHT at 8PM ET/PT on The CW.

Continue Reading

Interviews

Superman & Lois: Inde Navarrette on Tonight’s “Collision Course”

Inde Navarrette offers some previews of the May 30 episode of Superman & Lois titled “Collision Course”

Published

on

Sarah Cortez gets herself into some trouble in tonight’s episode of Superman & Lois… and when we asked the actress who plays her, Inde Navarrette, about this when we spoke to her this afternoon, she asked us “When does Sarah not get in trouble?”

Without going into specifics as to what happens in the May 30 episode, Inde tells us that it’s an “important learning lesson” for Sarah to realize that “everything is fun, until it’s not.”

“Even if you don’t think that something is as serious as it is, it is serious. Growing up, you learn that your actions have consequences. That’s really important for people to learn, especially Sarah,” she says.

And going into tonight’s episode, we also asked how much, on a scale of 1 to 10, Jordan (Alex Garfin) has been on Sarah’s nerves.

“I would say that it’s a solid 7, maybe 8 and a half,” Inde says about the lovesick teen character. “She’s really trying to work with him, and I think that tonight you’re going to see them come at a crossroads, and either figure out how it works, or go completely the opposite direction. But we definitely see a new dynamic of their relationship,” she teases.

Superman & Lois “Collision Course” airs tonight (May 30) on The CW.

Continue Reading

Interviews

Superman & Lois Interview: Talking to Wolé Parks Before “The Dress”

Interview with actor Wolé Parks about Season 3 of The CW television series Superman & Lois

Published

on

Tonight’s (May 23) episode of Superman & Lois is called “The Dress” and it is an emotion-filled hour with great moments for many of the show’s characters. One of those characters is John Henry Irons as played by Wolé Parks. We spoke with the actor earlier today in anticipation of tonight’s big episode, especially about issues involving John Henry and the father of his daughter Nat’s new boyfriend Matteo. You can read the interview below, and you can look forward to more from Wolé on KryptonSite in the near future!

KRYPTONSITE’S CRAIG BYRNE: Considering John Henry himself has lost his wife, does he have any sympathy at all for Bruno Mannheim, especially knowing Pia’s situation?

WOLÉ PARKS: I think he would have more sympathy if we didn’t have Bruno try to kill him at the end of episode 8. [Laughs] That’s the whole thing! That’s the interesting thing, to me, about this season and the way it’s going. I think the writers have done a brilliant job of making Bruno and Pia sympathetic in some ways, so people understand them. But with John, he’s like, “hey, guys, you remember this guy? You know what he did? He killed me in this world. And remember how he strapped a bomb to my sister? Yeah, that’s still him.” I understand he’s going through a rough time. Clark and Lois are going through rough time, but we don’t see them killing people. That’s the interesting thing about what’s going on with John, and how he perceives everything.

Did John know Bruno at all in his own world?

That’s a great question. I think not. It’s never answered, but I don’t think so, because I think he dealt with Lex Luthor, and in that world, Lex Luthor was still in power. Therefore, that means Bruno Mannheim didn’t take him out, so, I don’t think they interacted.

Speaking of that other world, how is John Henry process processing Lois’ cancer knowing that she could die, just like her counterpart had?

I think that was really hard for him. That was the whole idea of the episode with the watch and seeing John Henry dealing with it with Natalie. I think John as a person, maybe because he’s a former soldier, he’s one of those people who “acts now, feels later.” I don’t think he’s the best at processing emotions, and with Lois, it’s interesting, because this is not something you can fight. It’s interesting because you also see Clark deal with this, as well. This is not something that Superman can save her from.

So, the people in Lois’ life have to figure out how they can process, and realize they’re kind of powerless to help in this situation, and for someone like John Henry… he’s a selfless person, he always wants to be able to help, and he can’t. I think it’s taken him a while to learn and to come to accept that.

Cn you talk about having a scene partner as great as Tayler Buck?

Oh, I love me some Tayler. Tayler can do no wrong. She’s so fun. She’s cast so perfectly. I love that she brings such a strength to that character, and self-awareness that I 100% believe that [John and Nat] are related. It’s great, because she doesn’t cower to him. I love that she’s so strong in her point of view. It’s great.

Now that he knows who Matteo’s father is, is John going to be even more protective?

100%. Anything that Bruno touches is radioactive, so therefore, that includes his kids. For John, it’s like “I get you’re in love. I get you feel like you’re happy. You’re 16. You’ll grow out of it. I’m trying to keep you alive.

Can you talk about what it’s like to work with Chad Coleman as Bruno?

Chad’s the man. Chad and I play around all day long. Chad’s crazy, but in a good away. I’m crazy too, so that’s the fun of it.

I love an actor who’s willing to take risks. You know, you come up with an idea, but then you play ping pong with each other, and a scene goes in a completely different way. I only wish that people could see the multiple different versions that we have of the scenes we take together. It’s really all over the place because we get to play. I love that kind of acting. It was so much fun. And for me, that flip of seeing the version of Bruno in the restaurant, and everything’s happy, then is like “is this John Henry? I’ve gotta kill you!” He turns that quickly, and I love it.

Can you talk about working with Emmanuelle Chriqui so much recently?

It’s so cool. I just love Em. She’s so sweet, and I think that comes out through the character. Em’s just a joy; one of the most pleasant and also emotionally available people I’ve ever met. She’s just a genuinely good and kind, giving person, and it’s fun to see that, because I feel like Lana is bringing out a little bit of that lighter side of John. It just that he has to juggle that with the whole “oh, this guy’s trying to kill me” thing. It’s an interesting juggle.

Would you say that John and Clark are on very opposite sides of the Mannheim issue?

100%. I think they both personalize it, but in different ways. I think Clark has personalized it because he’s seen the cancer struggle up close. He’s seen Lois’ bond with Pia, which has clouded Clark’s judgment. But for John, he’s on the other end, where he’s like, “guys, this guy’s a killer. He strapped a bomb to my sister! He beat me up and was about to shoot me in his restaurant!” I’ll say this: I think they’re both doing the best they can; they just have different experiences with Bruno that are clouding their judgment.

Come back soon for more of our interview with Wolé Parks! Keep up with @SupermanLoisTV on Twitter for updates on when we will be posting more. “The Dress” airs May 23 on The CW.

Continue Reading

Trending